FUSHIHUISHIRIBENDEMINGPIANZHIYI，BULUNNISHIFOUSHUXIRIBENWENHUA，YIDINGDUINEIFU《SHENNAICHUANCHONGLANGLI》YOUYINXIANG——TACHUXIANZAIZHUANGSHIHUAZHONG，CHUXIANZAIWENCHUANGYONGPINLI，CHUXIANZAIYISHISHANG。

RUJIN，YAOXINSHANGJINGPINDERIBENFUSHIHUI，ZHINENGZAIHUALANGLIHEZHANLANZHONG，DANFUSHIHUIQISHISHICHUNCUIDE“PINGMINYISHU”。

FUSHIHUISHIGUDAIZHONGGUOHUIHUAZAIBEIRIBENGAIZAOZHIHOUDECHANWU，TATIXIANLERIBENRENSHIYONGDEGONGJIANGJINGSHEN。ZAIDAHANGHAISHIDAIKAIQIHOU，RIBENBEIJUANRUSHIJIETIXI，FUSHIHUIYECHUANRUOUZHOU，BINGQIEYINGXIANGLEYIZHONGYIZAIBAITUOXIESHICHUANTONGDEYINXIANGPAIHUAJIA。

WOMENCAIFANGLESHANGHAIMEISHUXUEYUANJIAOSHOU、《FUSHIHUI》ZUOZHEPANLILAOSHI，RANGTADAIWOMENKANKAN，YIFUXIAOXIAODEFUSHIHUILI，SHIZENYANGYIBUJINGCAIDERIBENWENHUASHI。

?作者 | Felicia

?編輯 | 程遲

YISHUSHISHECHIPIN，SHISHANGLIUJIEJIDEWENHUA，ZHISHAOYESHISHUYUZHONGCHANDE——DANG2021NIANDERENZOUJINBOWUGUAN、MEISHUGUANDESHIHOU，DADUOSHUGUANZHONGBAOZHUYIZHONGZHANYANGDEXINTAIQUGUANMOGAOGAOZAISHANGDEYISHU。

WULUNSHIGUXILA、LUOMA，HUANSHIGUZHONGGUO，ZHIJINNENGLIUCUNXIALAI、BEIYOUYISHIBAOHUDEYISHU，DADUODOUSHIGUIZUWENHUADEYICHAN。ZHIDAOJINXIANDAI，XIFANGGONGYEGEMINGWEIPINGMINJIECENGDEHUAYUQUANKAILEYIDAOKOUZI，YUELAIYUEDUOYISHUJIAKAISHICHUMOSHUYUPINGMINDEYISHU。

ZAIDONGYA，FUSHIHUISHIYIZHONGSHANGUANGDESHIDAICHANWU。TAYIJIUSHUYUDONGYAFENGJIANSHEHUI，DANTASHIPINGMINWENHUADEJINGSUI，QIEBEILISHILIUCUNLEXIALAI。

2020NIAN，BEIJING、SHANGHAI、SHENZHENDOUBUYUEERTONGDIJUBANLEFUSHIHUIZHANLAN，WOMENQUSHANGHAIKANLEPANLICEZHANDE“MENGHUIJIANGHU——FUSHIHUIYISHUDAZHAN”。PANLIYESHI《FUSHIHUI》DEZUOZHE。

浮世繪有特別有趣的三份氣質：它是平民的藝術，它是關注女性的藝術，同時，它以多元的生命力，囊括了日本的風景、日本的性格，甚至是日本社會的圖景。

《FUSHIHUI》，PANLIZHU

PURUIWENHUA | HUNANMEISHUCHUBANSHE，2020-11

FUSHIHUISHIYIMIANJINGZI。

《FUSHIHUI》TOUYIHUICHUBAN，SHIZAISHIERNIANQIAN。PANLILAOSHIZIJISHUO，ZHENGSHIZAIZHEBANIANJIAN，TACAIBUDUANDIZHENZHENGSHENRU、MINGBAIFUSHIHUI。CISHUJINGBANIANZAIYIFANZHENGXIU，CONGYIBENBOSHISHIQIDEXUESHUYANJIUZUOPIN，BIANDEGENGJIA“PINGMINHUA”，GENGJIASHIHEDAZHONGYUEDU。

WOMENWENPANLILAOSHI，NINJUEDEFUSHIHUIZUIZHUYAODEQIZHISHISHENME？TASHUO，SHITADEPINGMINQIZHI。

RUGUOWOMENYAOQULEJIEZHEZHONGPINGMINWENHUAZAIHEZHONGQIMINZHIXIAFAYUYIJISANBO，DEHUIDAO200NIANQIANDEYIGEDIFANG——RUJINDEDONGJINGQIANCAO。

SUIZHUCHENGSHIDEKUOZHANG，QIANCAOYIJINGSHIDONGJINGDEZHONGYAOSHANGQUAN，CUNJINCUNTUZHIDI。ZHEERZHENGSHIJIANGHUPINGMINWENHUADEDANSHENGDI。

YIXIAYOUPANLILAOSHIJIANGSHU。

吉原，紅燈區

江戶平民文化的沙龍

“JIYUAN”ZHEGEGAINIANDUIZHONGGUODEDUZHELAISHUOKENENGBIJIAOMOSHENG，TASHUYUJIANGHUDEPINGMINQU，YEKEYISHUOSHIHONGDENGQU、SEQINGQU。

浮世繪不是泛泛的美人畫，背后有著江戶平民文化的豐富內涵。江戶平民文化的起源，或者說最集中平民意識的沙龍，就在吉原。吉原雖說是一個色情區，但它又不是一個純粹的色情區。

“MENGHUIJIANGHU”ZHANLANXIANCHANG，TUWEIXIDUOCHUANGE麿DEMEIRENHUI

BAITIANDEJIYUANJIUXIANGGUANMIANTANGHUANGDEWENYISHALONG，YOUQINQISHUHUA，YEYOUCAIYIBIAOYAN，BAOKUOCHADAO、SHUHUA、FUZHUANG、GEZHONGCHUILADANCHANG，SHENZHINVXINGDEZUIXINKUANHEFUDEYANGSHI、MIANLIAO、FAXINGDENGDENG，DOUHUIZAIZHEERHUXIANGPANBI、JIAOLIU，YINCIBAITIANDEJIYUANSHIBUCONGSHISEQINGSHENGYIDE。

SEQINGJIAOYICONGBANGWAN6DIANZHONGKAISHI，ZHIDAODIERTIANZAOCHEN6DIAN。JIYUANYOUHENGUIJUDEGUANLI。ZAIDANGSHIMUFUZHENGQUANDEGUANZHIZHIXIA，WUSHIJIECENGYOUZHUHENDUODEQINGGUIJIELV，YAOLINGXINGJINZHI，YIBAOCHIZHUWUSHIDETIMIAN。

GECHUANGUANGZHONG，MINGSUOJIANGHUBAIJING， QIANCAOJINLONGSHAN，1857NIAN。

JIYUANYERUCI，SEQINGSHENGYIZHINENGZAIBANGWAN6DIANDAODIERTIANZAOCHEN6DIANJINXING，BAITIANJIUSHIPINGMINDEYOULEQU，YOUCIZISHENGXINGXINGSESEDEJIANGHUPINGMINWENHUA。

YIBANDELAOBAIXINGMEIYOUQIANQUQINGHUAKUI，YINCIBAITIANJIUDAOJIYUANLAIKANGERENAO。BAITIANJINRUJIYUANBUXUYAOMENPIAO，CANJIAWENYIHUODONGSHIMIANFEIDE，YINCIJIYUANDEBAITIANSHIPINGMINDETIANXIA，ERDAOLEWANSHANG，BIJIAODUOWUSHI、SHANGREN、GUIZULAIGUANGGUJIYUAN。

JIYUANZUICHUSHIZAIDONGJINGQIANCAOSIDEHOUMIAN，XIANRUJINDEQIANCAOSISUIZHUDONGJINGDOUQUANDEKUOZHANG，YIJINGZAIBIJIAOZHONGXINDEWEIZHI，CHENGZUODITIEDONGJINGYINZUOXIANXIANDOUNENGDAODA，DANZAIJIANGHUSHIDAI，JIYUANSHIHENPIANYUANDEDIFANG。MUFUYOUYIJIANGSEQINGQUJIANZAICHENGSHIDEBIANSHANG，BUZAISHIZHONGXINYOUAIGUANZHAN。

GESHIBEIZHAI《WUBAILUOHANSI》，XUANZI《FUYUESANSHILIUJING》，JINHUI。MONAI1866NIANDEZUOPIN《SHENGADELEISIHUAYUANDEYANGTAI》JIUSHICANZHAOZHEFUZUOPINSUOZUO。

浮世繪就是江戶時代的平民時尚文化，貴族認為它難登大雅之堂。浮世繪大多是平民的玩物，很少有貴族收藏，更談不上是藝術品。

JINTIANWOMENBAGESHIBEIZHAI、GECHUANGUANGZHONGDENGRENCHENGWEIYISHUDASHI，DANGSHITAMENJIUSHIHUAPINGMINHUADEHUAGONG，HUAYIXIEXIAOKAPIAN。

WUSHIHEGUIZUYOUTAMENDEYUYONGHUASHI，TAMENSUOCHONGSHANGDESHIZHONGGUODESHUIMOHUA，YIJICONGTANGDAIYANBIANGUOLAIDEDAHEHUI，JIANGTAMENZHUANGSHIZAIGONGTINGDELAMENHUOSHIPINGFENGSHANG。

DAHEHUIDAIBIAOZUO，SHANSHUIPINGFENG，11～12SHIJIPINGANSHIDAIZUOPIN，JINGDOUGUOLIBOWUGUANZANG。

WEISHENMEPINGMINWENHUAHUICHUXIANZAIRIBENDEJIANGHUSHIDAI？

ZAIJIANGHUZHIQIAN，PINGMINHUANMEIYOUZIGEQUZHUIQIUZIJIDEJINGSHENSHENGHUO。ZHENGGERIBENLISHIFAZHANDAOJIANGHUSHIDAI，PINGMINWENHUACAIZHENZHENGFAZHANQILAI。

200DUONIANQIANDEJIANGHUSHIDAI，SHICHANGSHIQIMEIYOUZHANLUANDESHIDAI，MUFUDINGDOUZAIJIANGHU，JIANGHUDIQUPINGMINDEJINGJISHUIPINGDADAOHENDADETISHENGHEGAISHAN，WENBAOWENTIJIEJUEHOUJIUQUZHUIQIUJINGSHENSHENGHUO。

JINGSHENSHENGHUOWUWAIHULIANGGEFANGMIAN，YIFANGMIANSHIYANYIBIAOYAN，JIUXIANGSHIJINTIANDEDIANSHIJU、DIANYINGZHEZHONGGUANSHANGXINGDEZUOPIN；LINGYIFANGMIANJIUSHIDUICHUBANWUDEXUQIU，BIRUHUIBEN、XIAOSHUO、TUPIAN。ZAIJIANGHUSHIDAI，ZHELIANGFANGMIANDEPINGMINWENHUABIANFAZHANLEQILAI。

《JIANGHUSHIDAI》

BEIDAOZHENGYUAN ZHU，MIYANJUN YI

XINJINGDIAN·HUPO | XINXINGCHUBANSHE，2019-4

每一個浮世繪大師

都是春畫高手

FUSHIHUIZHONGDEMEIRENHUASHIZUISHOUHUANYINGDE。MEIRENHUADEZHUJIAO，JUEDABUFENDOUSHIHUAKUI，LAOBAIXINGMENHUABUQIDAQIANQUQINGHUAKUI，DANTAMENXIHUANKAN，SHANGRENMENCONGZHONGFAXIANLESHANGJI。

JIUXIANG20SHIJI80NIANDAISHIDEDIANYINGMINGXINGHUAPIAN、MEIRENTOUXIANG，LAOBAIXINGXIHUANZHEXIE，HUIJIAGUAZAIQIANGSHANG。YONGHUAKUILAIZUOMEIRENHUADENEIRONG，HUAKUIDEYIMING、TASUOZAIDEJIGUANDEMINGCHENGDOUXIEZAIHUASHANG。

XIZHAIYINGQUAN，DAWENZIWUNEI，BENJINJIANG，19SHIJI。

FUSHIHUILIZUIDUODETICAISHICHUNHUA。MEIYIGEFUSHIHUIDEHUASHIDOUSHICHUNHUADEDASHI，CHUNHUASHENZHIBIMEIRENHUAHUANSHOUHUANYING。

FUSHIHUIDECHUNTUHEZHONGGUODECHUNGONGHUABUYIYANG。RIBENDECHUNHUABUJIAOCHUNGONGHUA，TAMEIYOUZHEGE“GONG”ZI，TASHILAOBAIXINGKANDEDONGXI，BINGBUSHIGUIZUCAINENGYONGDEQI。RUOGUIZUYAOHUACHUNHUADEHUA，BUHUIYONGMUKEBANQUHUA，ERSHIYONGSHILAIMICHANGDEJUANZHOU，DANZHEHENSHAO。

DANGSHIDEMUFUDUICHUNHUAHUANSHICAIQUYIZHONGDAYADETAISHI，CHUNHUASHOUDAOXUDUOLAIZIMUFUDEXIANZHI，ZAISHICHANGSHANGBUNENGGONGKAIJIAOMAI，JIUXIANGJINTIANWOMENDAJIFEIFACHUBANWUYIYANG。

春畫在江戶時代也經歷過幾次打擊、禁止、查抄，但有需求就有市場，它轉入了地下。春畫并不是百分之百的違禁品，政府會開放一段時間再收緊一段時間，睜一只眼閉一只眼，官方也知道這些是禁不住的。

《FUNVRENXIANGSHIPIN》，XIDUOCHUANGE麿。

ZAIJINTIAN，RIBENDEZHANLANBUDAKENENGCHUXIANCHUNHUA，DANYINSHUAPIN、CHUBANWUDAOSHIKEYI，ZAISHUDIANHENFANGBIANJIUKEYIMAIDAOCHUNHUADEHUAJI。

RIBENFUSHIHUIDECHUNHUA，BINGBUXIANGZHONGGUOCHUNGONGTUNEIYANGCHUNCUIZHIYONGLAIBIAOXIANSEQING，SUIRANTABIAOXIANBIJIAOKUAZHANG，HUADEBIJIAOLUGU，SHENZHIYOUDIANBIANTAI。ZHEHERIBENDEMINZUXINGSHIYOUGUANXIDE。

“很變態”的畫面，其實是江戶時代民眾的樂天、開放性格的體現。浮世繪里不僅僅是色情的信息，而是給人傳遞不可思議的、超現實的感覺。大家看到這個畫面就會很開心，會哈哈一笑，因為現實不可能是這樣的。

《YEZHIMEI》，LINGMUCHUNXIN。

CHUNHUAGEIPINGMINBAIXINGDAILAIDESHIYIZHONGDOULE，SHIYIZHONGGAOXIAO，TONGGUOZHEYANGDEHUALAIXUNKAIXIN，YINCICHUNHUAYEBEICHENGWEIXIAOHUA。

RIBENDEMINZUXINGZHONG，DUIXINGDEHUATIHENKAIFANG，ZHIDAOJINTIANYESHIRUCI，TANDAOXINGTAMENYETAIRANZIRUO。RIBENDEMINZUXINGZHONGYEYOUHENDOULE、HENKAIFANGDEYIMIAN。KENENGWOMENPINGSHIKANDAODEXIANDAIRIBENREN，DOUHENBIGONGBIJING、HENJUJIN，DIANTOUHAYAO、BUGOUYANXIAO，ZHESHIHENBIAOMIANDEXIANXIANG。

GESHIBEIZHAIZUOPIN《HUANSHU》，MIAOHUILEYIXIEHENYOUYISIDEMINJIANJIYIHECHUANSHUO。

RUGUONIZAIRIBENYOUGUOCHANGQIDESHENGHUO，HERIBENPENGYOUYOUSHENRUDEJIAOWANG，JIUHUIFAXIANRIBENRENDELIANGMIANXINGFEICHANGMINGXIAN。ZAIGONGKAI、ZHENGSHIDECHANGHE，RIBENRENHUIBIAOXIANDEHENNEILIAN、JUJIN，DANSHIYIDAOJUJIUWULIHEJIU，JIUGUOSANXUN，TAMENJIUHUI“YUANXINGBILU”，BIANDESHENMEHUADOUKEYISHUOLE。

SUOYIKANFUSHIHUIDECHUNHUA，BUJINJINYAOKANDAOTASEQINGDEYIMIAN，HUANYAOKANDAOTAGAOXIAODEYIMIAN，CONGLIANGFANGMIANQULIJIECHUNHUA，CAISHIBIJIAOZHENGQUEDEDAKAIFANGSHI。

浮世繪的高峰

是喜多川歌麿的大頭照

WOZUIXIHUANDEFUSHIHUIHUASHISHIXIDUOCHUANGE麿，TADEHUANENGQUANMIANDIBIAOXIANCHURIBENMINZUDEPINGE。

XIDUOCHUANGE麿《DANGSHISANMEIREN》，1793NIAN，JINHUI。TONGGUOSANWEIMEIRENLIANXINGHESHENQINGDEXIWEICHABIE，GE麿FUYULETAMENDUTEDEXINGGE。

FUSHIHUIZUICHUCHUXIANDESHIHOURENWUDOUSHIQUANSHENXIANG，MEIRENHUAYESHIQUANSHENXIANG。WEISHENMESHIQUANSHENXIANGNI？YIFANGMIANSHIYINWEIQUANSHENXIANGGENGFANGBIANBIAOXIANHEFUTUANZHIMEI，ZAOQIDEMEIRENHUAJIUSHIWEILEBIAOXIANHEFUDEWENYANG。

LINGCHUANSHIXUAN《DICHANGZHIHOU》，1673-1681NIAN。

LINGYIFANGMIAN，YONGMUKEBANHUALAIBIAOXIANRENWUYOUYIDINGDENANDU，MUKEBANHUASHIJIANJIEZUOHUA，HENNANHUADEWEIMIAOWEIXIAO、SHENGDONG，SUZAOWEIMIAODERENWUBIAOQINGBUTAIRONGYI。HUASHIYAOHENLIUYIDAOFENGDEZOUXIANG，SHAOBULIUSHENRENWUDEXIANTIAOJIUHUIDUAN，SHENZHIKENENGBANZIJIUHUIFEIDIAO，YAOZHONGXINLAIGUO。

SUOYIZHEZHONGHUASHOUDAOHENDADEJUXIAN。NIHUIGUOTOULAIKANZHONGGUOWENMINGLIDEMUBANHUA，YEJISHAOYOUYIRENWUTOUXIANGWEIZHUDEMUBANHUA。

LINGMUCHUNXINZHEYIDAIHUASHIBAHEIBAIDEFUSHIHUIBIANCHENGCAISEDEFUSHIHUI，ZAIDAOHOULAINIAOJUQINGCHANGHUASHITASUZAOCHUTINGTINGYULIDEMEIRENHUADEXINGXIANG，ZAIWANGHOUTUIJINDEHUA，JIUYAOTUPOQUANSHENXIANGMEIRENHUALE。

FUSHIHUIZAOQIQUANSHENXIANGHUAZUO，LINGMUCHUNXIN《XILI（HUILI）》，JINHUI

ZHESHIXIDUOCHUANGE麿CHUXIANLE，TABAYONGZAIGEWUJIYANYUANSHENSHANGDEDASHOUHUI（SUOWEIDASHOUHUIJIUSHIDATOUXIANGDESHOUFA）YUNYONGZAIMEIRENHUASHANGMIAN。

BUJINSHIZAIFUSHIHUIZHONG，ZHEZHONGSHOUFAFANGZAIQUANSHIJIEZHONG，WULUNSHIMUBANHUANSHITONGBANDEBANHUA，DOUSHIGEMINGXINGDEGAOFENG。

XIDUOCHUANGE麿《ZIJIANQIRENHUAZHUANG NANBOWUABEI》，JINHUI

從神佛，到人本身

到成為社會的鏡子

在《洛中洛外圖屏風》出現之前，日本的美術畫更多是宗教畫，或者說是佛教畫，是神佛的世界。到了《洛中洛外圖屏風》的京都，日本美術的關注點慢慢轉向了平民生活。

LUOZHONGLUOWAITUJUAN。

HUANJUHUASHUO，JIUSHICONGSHENFODESHIJIEZOUXIANGXIANSHIRENJIAN，RIBENMEISHUDEGUANZHUDIANCONGTIANSHANGZHUANDAOLEDIXIA。DUIXIANSHISHENGHUODEGUANZHUHEBIAOXIAN，YUELAIYUECHENGWEINEIGESHIDAIDEHUASHIDEZHUTI。

FUSHIHUIZUIDUOJIUSHISANZHANGZHILIANZAIYIQIDEDAXIAO，KUANDUZUIKUANYEBUGUOQIBASHIGONGFEN，SUOYIBUTAINENGBIAOXIANHENDADECHANGMIAN，DINGDUOSHIZAIMOUYIGEZHUTIZHIXIA，BABUTONGDEZUHUA、HUAMIANHUIJUZAIYIQI。

NVRENMENDUIJINGSHUZHUANG、BANTANGZAIDISHANG，XIJIAOYA，JIANZHIJIA，SHANGYING，CHUXING，PANGRUOWUREN。

YEXUPUTONGRENJUEDEFUSHIHUIJIUSHIMEIRENHUA，YINWEITASHIFUSHIHUIZUIDADETICAIZHIYI，DANFUSHIHUIBAOLUOWANXIANG，ZHENGGEJIANGHUSHIDAIDEPINGMINSHENGHUODOUKEYIZAIFUSHIHUIZHONGYOUSUOBIAOXIAN。ERTONGDE、XIANGPUDEDENGDENG，GEFANGMIANDOUYOU，SHENZHIHUANYOUFENGJINGHUAHEHOULAIDEGUIGUAIHUA。

《JIYUANGEZI》，GESHIYINGWEI。

HOULAI，FUSHIHUISHENZHIYOULEZHENBIANSHIBIDESHEHUIGONGNENG。BIRUGECHUANGUOFANG，TAZAIFUSHIHUIDELISHISHANGSHIYIGEHENLINGLEIDEHUASHI。

鈴木春信、鳥居清長、喜多川歌麿等人，都是在正常的浮世繪道路上走，但歌川國芳的性格比較另類，膽子比較大，更開放。他所處的江戶時代已經到了幕府統治的末期，整個社會的思想會比較活躍，幕府的統治能力開始下降，不再像當初施行嚴厲管制。

ZANQIYUANJUANSHUYINGJIUYUANWEICHAOTU，GECHUANGUOFANG。

TONGSHI，LAIZIXIFANGDEWENHUAYINGXIANGYEYUELAIYUEDUO。CONGHELAN，HUOSHISHUOOUZHOUCHUANGUOLAIDEXIFANGRENWENZHUYISIXIANG，SHIDEPINGMINSIXIANGDEDAOMOUZHONGCHENGDUSHANGDEJIEFANG。SHIJISHANGYEKEYIYONGWOMENZHONGGUODELIZILAIKAN，JIUXIANG1980NIANQIANHOUZHONGGUOSHEHUIFASHENGJUDABIANHUAYIYANG，MUFUMOQIYESHIRUCI。

GECHUANGUOFANGKEYISHUOSHIPINGMINWENHUADEDAIYANREN，TATILAOBAIXINGQUFASHENG、BIAODA，YONGBIJIAOWEIWANDESHOUFA，BIAODADUIMUFUTONGZHIDEBUMAN。TABUNENGZHIJIEHUAMUFUJIANGJUN，BIJINGSHISIZUI，SUOYITAYONGYINYU，RANGLAOBAIXINGQUCAI、QUPINWEI，CONGERKANCHUQIZHONGDEAOMIAO。

GECHUANGUOFANG《XIANGMAWANGJIUCHENG》，CHONGMANGUAIDANHEFENGCI。1843-1845NIAN，JINHUI。

FUSHIHUIDEZHENBIANSHIBIYESHICONGZHESHIHOUKAISHI，HOULAIYUYANYULIE。MUFUDAOTAIHOU，MINGZHIWEIXINCHENGGONG，RIBENKAISHIJINRUMINGZHISHIDAI。

ERMINGZHITIANHUANGSHANGTAIHOU，FUSHIHUIZAIMEISHENMERENGUANLE，FENGCIHUAKAISHIDAXINGQIDAO。ZAOQIDEFUSHIHUISHIBUCUNZAIFENGCIHUAZHEYISHUOFADE，FENGCIHUASHISUIZHUSHIDAIDEFAZHANZHUJIANYANBIANCHULAIDE。

印象派畫家

從浮世繪里找到想要的東西

RIBENMINZUDECHUANTONGHUIHUA，SHIJISHANGHEZHONGGUOHUIHUASHIYIYANGDE，TAMEIYOUKONGJIANGAN。

XIANGWOMENDEGUDAISHANSHUIHUA，SUIRANYOUSANDIANTOUSHI，DANSHIHEXIFANGDEKONGJIANTOUSHISHILIANGGEGAINIAN，JIBENSHIPINGMIANDE，MEIYOUZONGSHENDEBIAOXIANSHOUFA——ZHELIANGGEGAINIANZAIMEISHUSHANGSHIFENZHONGYAO，ZHENGSHIHOULAIXIFANGXIANDAIYISHUSUOYAOZHUIQIUDEFANGXIANG。

FANGAOSUOHUIDE《TANGJILAODIE》，BEIJINGZHONGYOUXUDUOFUSHIHUIHUAZUO。

印象派想推翻、逃脫文藝復興以來建立的寫實繪畫傳統，尤其是照相機出現后，他們不滿足于跟在現實后面去畫肉眼能看見的景象。印象派的畫家覺得應該回歸繪畫本身，用線條和色彩來表達。

YINXIANGPAIDEHUAJIAJUEDE，HUABUBIYIWUYISHIBAKANDAODEDONGXIHUAXIALAI，ZHECONGSHIJIUSHIJIKAISHIJIUSHIZHAOXIANGJIDESHIQINGLE，MEIBIYAOZAIRANGHUAJIAQUZUOLE。

TAMENCONGFUSHIHUISHANGZHAODAOTAMENZHUIQIUDEDONGXI：PINGMIANDE、ZHUANGSHIDESECAIHEXIANTIAO，CONGERTUIJINXIFANGDEYISHUBIANGE。XIANDAIDEHUIHUAJIUSHIPINGMIANDE、ZHUANGSHIDE，MEIYOUZAIMOFANGXIANSHIKONGJIAN。

AIDEHUA·MANAI《ZUOLAXIANG》，BUMIANYOUHUA，1868NIAN。MANAIWEIZUOLAMIAOXIEDEXIAOXIANGSHENHOUYOUYIXIAOFUFUSHIHUIBANHUA，YUYOUBIANYISHUJIADEZAONIANZUOPIN《AOLINPIYA》BINGZHI，ZUOCEHUANLILEYISHANRIBENPINGFENG。

DAOJINTIAN，RUGUOWOMENSHUOYIFUHUASHIXIESHIDE，NEITAJIUSHUYUGUDIANSHOUFADEHUIHUA。XIANDAIHUIHUAQIANGDIAOSECAIHESEKUAIDEBIAOXIANSHOUFA，SHITONGGUOYINXIANGPAIDEHUAJIACONGFUSHIHUIDEFENGGEZHONGZHUANBIANGUOLAIDE，TAMENQIFALEHOULAIDEHUASHIHEXIANDAIDEHUIHUA。

ZUOTU：FANGAO《YUZHONGDAQIAO》；YOUTU：GECHUANGUANGZHONG《DAQIAOBAOYU》

FUSHIHUISHIMUKEBANHUA，MUKEBANHUADELAIZIZHONGGUO，RIBENRENBAMUKEBANHUAXUEGUOLAI，ZAIBARIBENMINZUDEGONGJIANGXINGRONGRUJINQU。RIBENMINZUSHIFUYOUGONGJIANGXINGDEMINZU，TAMENHENSHANYUDONGSHOUZHIZUO，DANBUSHANYUSIBIAN、GUINA、ZONGJIECHANSHENGSIXIANG。RENHEDONGXIDAOTAMENSHOUZHONGDOUHUIBEIGAIZHUANG、GAIZAO。

RIBENWENHUAYOUYISIDEDIFANGQIAQIAJIUZAIZHELI，TADALIANGDI、DAGUIMODIXUEXIJIEJIANWAILAIWENMING，TONGSHIYOUBAZHEXIEXUEDAODEDONGXIZHUANHUACHENGZIJIDE。

XIHUANXIAODEWUJIANYESHIRIBENDEMINZUXING，TAMENBUTAIHUIGUANSHANGDAFUDEHUAMIAN。JIANGHUSHIDAISHIPINGMINWENHUAKONGQIANFANRONGDESHIDAI，ERXIAOWUJIANJIUSHIPINGMINWENHUAZUIHAODEZAITI。PINGMINBUKENENGQUSHOUZANGXINSHANGDAXINGDESHUIMO、DAXINGDEPINGFENG，TAMENJUZHUDEKONGJIANHUANJINGMEIYOUNEIMEDA——CHULEJIANGJUNGUIZUJUZHUDEGONGTING，LAOBAIXINGBUKENENGYOUZHEMEDADEFANGZI。

“MENGHUIJIANGHU”ZHANLANXIANCHANG，WENCHUANGCHANPIN

SUOYINENGMANZUTAMENJINGSHENSHENGHUOXUQIUDEJIUSHIZHEZHONGXIAOHUAPIAN，BIANYUXIEDAI，BIANYUCHUANYUE。ZHEBIANGENRIBENDEMINZUXINGYOUGUANLE，WOMENDEMINZUXINGLIBINGMEIYOUZHEYANGDECUNZAI，ZHIJINWEIZHIYEMEIYOU，WOMENGENGPIANAI“GAODASHANG”DEDONGXI，WULUNSHIGUDAIYEHAOHUANSHIJINTIANYEHAO。

RIBENRENBINGBUSHIZHEYANGDE，DAOJINTIANWEIZHI，QURIBENYIRANNENGKANDAOTAMENDEZHEZHONGXIHAODETIXIAN。RIBENRENXIHUANZHUANGSHIXING，GENTAMENDESHENGHUOKONGJIANYOUHENDAGUANXI，SUOWEIHUANJINGZAOJIUXINGGE。

如果要用一個詞來形容浮世繪的氣質，那就是平民氣質。這是屬于老百姓自己的東西，而不是掛在墻上裝點空間或是給某些人去欣賞的藝術，它就是最親民、最貼近生活、最真實的。

FUSHIHUISHIPINGMINDEYISHU。TU/PUYUAN·YEZHIXUE，GECHUANGUANGZHONGHUI

XIANGGUAN：

與書相伴，一生未婚的人疫情期間，人與人之間的愛與聯結有沒有更加緊密？這個問題困擾著我們很久。的確，我們聽聞過很多溫馨故事，不少家庭常年聚少離多，隔離生活讓他們能重聚在一個屋檐下。但很多事實又給我們澆了冷水，比如疫情之年，世界各地節節飆升的離婚率數據。本期“讀刊”欄目想和大家聊一聊“新冠時期的愛與恨”：那些發生在隔離生活期間的、悲傷的、滑稽的、殘酷的、溫馨的故事……看看發生在世界各地的故事，也許能夠給我們內心提供一個答案。不同于往期，本期“讀刊”不去思考這些事件中的本質，分析其中的現象與邏輯，考察事件深遠的影響。事實上，并非所有事情都必須要如此大費..

陳嘉映：聊聊愛情與死亡陳嘉映被認為是“中國最可能接近哲學家稱呼的人”。上世紀八十年代，中國掀起了存在主義的熱潮，陳嘉映翻譯海德格爾的《存在與時間》，銷售近二十萬冊。知青時期便癡迷哲學的他，在北京大學西語系與哲學系求學七年后，又遠赴美國，于賓夕法尼亞州立大學獲得了哲學的博士學位。現任教于首都師范大學。本文為2017年12月23日狗子等為《法治周末》采訪，在訪談中陳嘉映老師談到了現代人的死亡觀、愛情觀與良好生活的定義。Q我們先來聊聊愛與死亡這兩個話題。這兩個命題應該是不對等的吧？是不是愛情、兩性關系比死亡更輕或者更不根本？陳嘉映：我不知道你是從哪個角度來比，從..

疫情中的上海，告訴你什么是現代城市后疫情時代，生活在什么城市最舒適？傳染病除了是一個醫學和流行病學問題，同時也是觀察一個地區的治理方式和社會文化的窗口。造成全球大流行的新冠病毒，不可避免地放大了不同地區的文化差異——不僅是國內與國外，也包括同一地區不同城市的差異。對疫情的不同處理方式，往往顯示了這些城市由歷史塑造出的不同性格。?作者 | 維舟?編輯 | 程遲新年方始，中國的南北兩大都市就都出現了零星疫情。作為國內最發達的兩個城市，它們都有著最好的防疫響應和精準防控機制，然而人們也發現，落實到細節上，京滬的防疫做法又有所不同。前幾天有飼養寵物者在微博上求助，由于..