FUSHIHUISHIRIBENDEMINGPIANZHIYI，BULUNNISHIFOUSHUXIRIBENWENHUA，YIDINGDUINEIFU《SHENNAICHUANCHONGLANGLI》YOUYINXIANG——TACHUXIANZAIZHUANGSHIHUAZHONG，CHUXIANZAIWENCHUANGYONGPINLI，CHUXIANZAIYISHISHANG。

RUJIN，YAOXINSHANGJINGPINDERIBENFUSHIHUI，ZHINENGZAIHUALANGLIHEZHANLANZHONG，DANFUSHIHUIQISHISHICHUNCUIDE“PINGMINYISHU”。

FUSHIHUISHIGUDAIZHONGGUOHUIHUAZAIBEIRIBENGAIZAOZHIHOUDECHANWU，TATIXIANLERIBENRENSHIYONGDEGONGJIANGJINGSHEN。ZAIDAHANGHAISHIDAIKAIQIHOU，RIBENBEIJUANRUSHIJIETIXI，FUSHIHUIYECHUANRUOUZHOU，BINGQIEYINGXIANGLEYIZHONGYIZAIBAITUOXIESHICHUANTONGDEYINXIANGPAIHUAJIA。

WOMENCAIFANGLESHANGHAIMEISHUXUEYUANJIAOSHOU、《FUSHIHUI》ZUOZHEPANLILAOSHI，RANGTADAIWOMENKANKAN，YIFUXIAOXIAODEFUSHIHUILI，SHIZENYANGYIBUJINGCAIDERIBENWENHUASHI。

?作者 | Felicia

?編輯 | 程遲

YISHUSHISHECHIPIN，SHISHANGLIUJIEJIDEWENHUA，ZHISHAOYESHISHUYUZHONGCHANDE——DANG2021NIANDERENZOUJINBOWUGUAN、MEISHUGUANDESHIHOU，DADUOSHUGUANZHONGBAOZHUYIZHONGZHANYANGDEXINTAIQUGUANMOGAOGAOZAISHANGDEYISHU。

WULUNSHIGUXILA、LUOMA，HUANSHIGUZHONGGUO，ZHIJINNENGLIUCUNXIALAI、BEIYOUYISHIBAOHUDEYISHU，DADUODOUSHIGUIZUWENHUADEYICHAN。ZHIDAOJINXIANDAI，XIFANGGONGYEGEMINGWEIPINGMINJIECENGDEHUAYUQUANKAILEYIDAOKOUZI，YUELAIYUEDUOYISHUJIAKAISHICHUMOSHUYUPINGMINDEYISHU。

ZAIDONGYA，FUSHIHUISHIYIZHONGSHANGUANGDESHIDAICHANWU。TAYIJIUSHUYUDONGYAFENGJIANSHEHUI，DANTASHIPINGMINWENHUADEJINGSUI，QIEBEILISHILIUCUNLEXIALAI。

2020NIAN，BEIJING、SHANGHAI、SHENZHENDOUBUYUEERTONGDIJUBANLEFUSHIHUIZHANLAN，WOMENQUSHANGHAIKANLEPANLICEZHANDE“MENGHUIJIANGHU——FUSHIHUIYISHUDAZHAN”。PANLIYESHI《FUSHIHUI》DEZUOZHE。

浮世繪有特別有趣的三份氣質：它是平民的藝術，它是關注女性的藝術，同時，它以多元的生命力，囊括了日本的風景、日本的性格，甚至是日本社會的圖景。

《FUSHIHUI》，PANLIZHU

PURUIWENHUA | HUNANMEISHUCHUBANSHE，2020-11

FUSHIHUISHIYIMIANJINGZI。

《FUSHIHUI》TOUYIHUICHUBAN，SHIZAISHIERNIANQIAN。PANLILAOSHIZIJISHUO，ZHENGSHIZAIZHEBANIANJIAN，TACAIBUDUANDIZHENZHENGSHENRU、MINGBAIFUSHIHUI。CISHUJINGBANIANZAIYIFANZHENGXIU，CONGYIBENBOSHISHIQIDEXUESHUYANJIUZUOPIN，BIANDEGENGJIA“PINGMINHUA”，GENGJIASHIHEDAZHONGYUEDU。

WOMENWENPANLILAOSHI，NINJUEDEFUSHIHUIZUIZHUYAODEQIZHISHISHENME？TASHUO，SHITADEPINGMINQIZHI。

RUGUOWOMENYAOQULEJIEZHEZHONGPINGMINWENHUAZAIHEZHONGQIMINZHIXIAFAYUYIJISANBO，DEHUIDAO200NIANQIANDEYIGEDIFANG——RUJINDEDONGJINGQIANCAO。

SUIZHUCHENGSHIDEKUOZHANG，QIANCAOYIJINGSHIDONGJINGDEZHONGYAOSHANGQUAN，CUNJINCUNTUZHIDI。ZHEERZHENGSHIJIANGHUPINGMINWENHUADEDANSHENGDI。

YIXIAYOUPANLILAOSHIJIANGSHU。

吉原，紅燈區

江戶平民文化的沙龍

“JIYUAN”ZHEGEGAINIANDUIZHONGGUODEDUZHELAISHUOKENENGBIJIAOMOSHENG，TASHUYUJIANGHUDEPINGMINQU，YEKEYISHUOSHIHONGDENGQU、SEQINGQU。

浮世繪不是泛泛的美人畫，背后有著江戶平民文化的豐富內涵。江戶平民文化的起源，或者說最集中平民意識的沙龍，就在吉原。吉原雖說是一個色情區，但它又不是一個純粹的色情區。

“MENGHUIJIANGHU”ZHANLANXIANCHANG，TUWEIXIDUOCHUANGE麿DEMEIRENHUI

BAITIANDEJIYUANJIUXIANGGUANMIANTANGHUANGDEWENYISHALONG，YOUQINQISHUHUA，YEYOUCAIYIBIAOYAN，BAOKUOCHADAO、SHUHUA、FUZHUANG、GEZHONGCHUILADANCHANG，SHENZHINVXINGDEZUIXINKUANHEFUDEYANGSHI、MIANLIAO、FAXINGDENGDENG，DOUHUIZAIZHEERHUXIANGPANBI、JIAOLIU，YINCIBAITIANDEJIYUANSHIBUCONGSHISEQINGSHENGYIDE。

SEQINGJIAOYICONGBANGWAN6DIANZHONGKAISHI，ZHIDAODIERTIANZAOCHEN6DIAN。JIYUANYOUHENGUIJUDEGUANLI。ZAIDANGSHIMUFUZHENGQUANDEGUANZHIZHIXIA，WUSHIJIECENGYOUZHUHENDUODEQINGGUIJIELV，YAOLINGXINGJINZHI，YIBAOCHIZHUWUSHIDETIMIAN。

GECHUANGUANGZHONG，MINGSUOJIANGHUBAIJING， QIANCAOJINLONGSHAN，1857NIAN。

JIYUANYERUCI，SEQINGSHENGYIZHINENGZAIBANGWAN6DIANDAODIERTIANZAOCHEN6DIANJINXING，BAITIANJIUSHIPINGMINDEYOULEQU，YOUCIZISHENGXINGXINGSESEDEJIANGHUPINGMINWENHUA。

YIBANDELAOBAIXINGMEIYOUQIANQUQINGHUAKUI，YINCIBAITIANJIUDAOJIYUANLAIKANGERENAO。BAITIANJINRUJIYUANBUXUYAOMENPIAO，CANJIAWENYIHUODONGSHIMIANFEIDE，YINCIJIYUANDEBAITIANSHIPINGMINDETIANXIA，ERDAOLEWANSHANG，BIJIAODUOWUSHI、SHANGREN、GUIZULAIGUANGGUJIYUAN。

JIYUANZUICHUSHIZAIDONGJINGQIANCAOSIDEHOUMIAN，XIANRUJINDEQIANCAOSISUIZHUDONGJINGDOUQUANDEKUOZHANG，YIJINGZAIBIJIAOZHONGXINDEWEIZHI，CHENGZUODITIEDONGJINGYINZUOXIANXIANDOUNENGDAODA，DANZAIJIANGHUSHIDAI，JIYUANSHIHENPIANYUANDEDIFANG。MUFUYOUYIJIANGSEQINGQUJIANZAICHENGSHIDEBIANSHANG，BUZAISHIZHONGXINYOUAIGUANZHAN。

GESHIBEIZHAI《WUBAILUOHANSI》，XUANZI《FUYUESANSHILIUJING》，JINHUI。MONAI1866NIANDEZUOPIN《SHENGADELEISIHUAYUANDEYANGTAI》JIUSHICANZHAOZHEFUZUOPINSUOZUO。

浮世繪就是江戶時代的平民時尚文化，貴族認為它難登大雅之堂。浮世繪大多是平民的玩物，很少有貴族收藏，更談不上是藝術品。

JINTIANWOMENBAGESHIBEIZHAI、GECHUANGUANGZHONGDENGRENCHENGWEIYISHUDASHI，DANGSHITAMENJIUSHIHUAPINGMINHUADEHUAGONG，HUAYIXIEXIAOKAPIAN。

WUSHIHEGUIZUYOUTAMENDEYUYONGHUASHI，TAMENSUOCHONGSHANGDESHIZHONGGUODESHUIMOHUA，YIJICONGTANGDAIYANBIANGUOLAIDEDAHEHUI，JIANGTAMENZHUANGSHIZAIGONGTINGDELAMENHUOSHIPINGFENGSHANG。

DAHEHUIDAIBIAOZUO，SHANSHUIPINGFENG，11～12SHIJIPINGANSHIDAIZUOPIN，JINGDOUGUOLIBOWUGUANZANG。

WEISHENMEPINGMINWENHUAHUICHUXIANZAIRIBENDEJIANGHUSHIDAI？

ZAIJIANGHUZHIQIAN，PINGMINHUANMEIYOUZIGEQUZHUIQIUZIJIDEJINGSHENSHENGHUO。ZHENGGERIBENLISHIFAZHANDAOJIANGHUSHIDAI，PINGMINWENHUACAIZHENZHENGFAZHANQILAI。

200DUONIANQIANDEJIANGHUSHIDAI，SHICHANGSHIQIMEIYOUZHANLUANDESHIDAI，MUFUDINGDOUZAIJIANGHU，JIANGHUDIQUPINGMINDEJINGJISHUIPINGDADAOHENDADETISHENGHEGAISHAN，WENBAOWENTIJIEJUEHOUJIUQUZHUIQIUJINGSHENSHENGHUO。

JINGSHENSHENGHUOWUWAIHULIANGGEFANGMIAN，YIFANGMIANSHIYANYIBIAOYAN，JIUXIANGSHIJINTIANDEDIANSHIJU、DIANYINGZHEZHONGGUANSHANGXINGDEZUOPIN；LINGYIFANGMIANJIUSHIDUICHUBANWUDEXUQIU，BIRUHUIBEN、XIAOSHUO、TUPIAN。ZAIJIANGHUSHIDAI，ZHELIANGFANGMIANDEPINGMINWENHUABIANFAZHANLEQILAI。

《JIANGHUSHIDAI》

BEIDAOZHENGYUAN ZHU，MIYANJUN YI

XINJINGDIAN·HUPO | XINXINGCHUBANSHE，2019-4

每一個浮世繪大師

都是春畫高手

FUSHIHUIZHONGDEMEIRENHUASHIZUISHOUHUANYINGDE。MEIRENHUADEZHUJIAO，JUEDABUFENDOUSHIHUAKUI，LAOBAIXINGMENHUABUQIDAQIANQUQINGHUAKUI，DANTAMENXIHUANKAN，SHANGRENMENCONGZHONGFAXIANLESHANGJI。

JIUXIANG20SHIJI80NIANDAISHIDEDIANYINGMINGXINGHUAPIAN、MEIRENTOUXIANG，LAOBAIXINGXIHUANZHEXIE，HUIJIAGUAZAIQIANGSHANG。YONGHUAKUILAIZUOMEIRENHUADENEIRONG，HUAKUIDEYIMING、TASUOZAIDEJIGUANDEMINGCHENGDOUXIEZAIHUASHANG。

XIZHAIYINGQUAN，DAWENZIWUNEI，BENJINJIANG，19SHIJI。

FUSHIHUILIZUIDUODETICAISHICHUNHUA。MEIYIGEFUSHIHUIDEHUASHIDOUSHICHUNHUADEDASHI，CHUNHUASHENZHIBIMEIRENHUAHUANSHOUHUANYING。

FUSHIHUIDECHUNTUHEZHONGGUODECHUNGONGHUABUYIYANG。RIBENDECHUNHUABUJIAOCHUNGONGHUA，TAMEIYOUZHEGE“GONG”ZI，TASHILAOBAIXINGKANDEDONGXI，BINGBUSHIGUIZUCAINENGYONGDEQI。RUOGUIZUYAOHUACHUNHUADEHUA，BUHUIYONGMUKEBANQUHUA，ERSHIYONGSHILAIMICHANGDEJUANZHOU，DANZHEHENSHAO。

DANGSHIDEMUFUDUICHUNHUAHUANSHICAIQUYIZHONGDAYADETAISHI，CHUNHUASHOUDAOXUDUOLAIZIMUFUDEXIANZHI，ZAISHICHANGSHANGBUNENGGONGKAIJIAOMAI，JIUXIANGJINTIANWOMENDAJIFEIFACHUBANWUYIYANG。

春畫在江戶時代也經歷過幾次打擊、禁止、查抄，但有需求就有市場，它轉入了地下。春畫并不是百分之百的違禁品，政府會開放一段時間再收緊一段時間，睜一只眼閉一只眼，官方也知道這些是禁不住的。

《FUNVRENXIANGSHIPIN》，XIDUOCHUANGE麿。

ZAIJINTIAN，RIBENDEZHANLANBUDAKENENGCHUXIANCHUNHUA，DANYINSHUAPIN、CHUBANWUDAOSHIKEYI，ZAISHUDIANHENFANGBIANJIUKEYIMAIDAOCHUNHUADEHUAJI。

RIBENFUSHIHUIDECHUNHUA，BINGBUXIANGZHONGGUOCHUNGONGTUNEIYANGCHUNCUIZHIYONGLAIBIAOXIANSEQING，SUIRANTABIAOXIANBIJIAOKUAZHANG，HUADEBIJIAOLUGU，SHENZHIYOUDIANBIANTAI。ZHEHERIBENDEMINZUXINGSHIYOUGUANXIDE。

“很變態”的畫面，其實是江戶時代民眾的樂天、開放性格的體現。浮世繪里不僅僅是色情的信息，而是給人傳遞不可思議的、超現實的感覺。大家看到這個畫面就會很開心，會哈哈一笑，因為現實不可能是這樣的。

《YEZHIMEI》，LINGMUCHUNXIN。

CHUNHUAGEIPINGMINBAIXINGDAILAIDESHIYIZHONGDOULE，SHIYIZHONGGAOXIAO，TONGGUOZHEYANGDEHUALAIXUNKAIXIN，YINCICHUNHUAYEBEICHENGWEIXIAOHUA。

RIBENDEMINZUXINGZHONG，DUIXINGDEHUATIHENKAIFANG，ZHIDAOJINTIANYESHIRUCI，TANDAOXINGTAMENYETAIRANZIRUO。RIBENDEMINZUXINGZHONGYEYOUHENDOULE、HENKAIFANGDEYIMIAN。KENENGWOMENPINGSHIKANDAODEXIANDAIRIBENREN，DOUHENBIGONGBIJING、HENJUJIN，DIANTOUHAYAO、BUGOUYANXIAO，ZHESHIHENBIAOMIANDEXIANXIANG。

GESHIBEIZHAIZUOPIN《HUANSHU》，MIAOHUILEYIXIEHENYOUYISIDEMINJIANJIYIHECHUANSHUO。

RUGUONIZAIRIBENYOUGUOCHANGQIDESHENGHUO，HERIBENPENGYOUYOUSHENRUDEJIAOWANG，JIUHUIFAXIANRIBENRENDELIANGMIANXINGFEICHANGMINGXIAN。ZAIGONGKAI、ZHENGSHIDECHANGHE，RIBENRENHUIBIAOXIANDEHENNEILIAN、JUJIN，DANSHIYIDAOJUJIUWULIHEJIU，JIUGUOSANXUN，TAMENJIUHUI“YUANXINGBILU”，BIANDESHENMEHUADOUKEYISHUOLE。

SUOYIKANFUSHIHUIDECHUNHUA，BUJINJINYAOKANDAOTASEQINGDEYIMIAN，HUANYAOKANDAOTAGAOXIAODEYIMIAN，CONGLIANGFANGMIANQULIJIECHUNHUA，CAISHIBIJIAOZHENGQUEDEDAKAIFANGSHI。

浮世繪的高峰

是喜多川歌麿的大頭照

WOZUIXIHUANDEFUSHIHUIHUASHISHIXIDUOCHUANGE麿，TADEHUANENGQUANMIANDIBIAOXIANCHURIBENMINZUDEPINGE。

XIDUOCHUANGE麿《DANGSHISANMEIREN》，1793NIAN，JINHUI。TONGGUOSANWEIMEIRENLIANXINGHESHENQINGDEXIWEICHABIE，GE麿FUYULETAMENDUTEDEXINGGE。

FUSHIHUIZUICHUCHUXIANDESHIHOURENWUDOUSHIQUANSHENXIANG，MEIRENHUAYESHIQUANSHENXIANG。WEISHENMESHIQUANSHENXIANGNI？YIFANGMIANSHIYINWEIQUANSHENXIANGGENGFANGBIANBIAOXIANHEFUTUANZHIMEI，ZAOQIDEMEIRENHUAJIUSHIWEILEBIAOXIANHEFUDEWENYANG。

LINGCHUANSHIXUAN《DICHANGZHIHOU》，1673-1681NIAN。

LINGYIFANGMIAN，YONGMUKEBANHUALAIBIAOXIANRENWUYOUYIDINGDENANDU，MUKEBANHUASHIJIANJIEZUOHUA，HENNANHUADEWEIMIAOWEIXIAO、SHENGDONG，SUZAOWEIMIAODERENWUBIAOQINGBUTAIRONGYI。HUASHIYAOHENLIUYIDAOFENGDEZOUXIANG，SHAOBULIUSHENRENWUDEXIANTIAOJIUHUIDUAN，SHENZHIKENENGBANZIJIUHUIFEIDIAO，YAOZHONGXINLAIGUO。

SUOYIZHEZHONGHUASHOUDAOHENDADEJUXIAN。NIHUIGUOTOULAIKANZHONGGUOWENMINGLIDEMUBANHUA，YEJISHAOYOUYIRENWUTOUXIANGWEIZHUDEMUBANHUA。

LINGMUCHUNXINZHEYIDAIHUASHIBAHEIBAIDEFUSHIHUIBIANCHENGCAISEDEFUSHIHUI，ZAIDAOHOULAINIAOJUQINGCHANGHUASHITASUZAOCHUTINGTINGYULIDEMEIRENHUADEXINGXIANG，ZAIWANGHOUTUIJINDEHUA，JIUYAOTUPOQUANSHENXIANGMEIRENHUALE。

FUSHIHUIZAOQIQUANSHENXIANGHUAZUO，LINGMUCHUNXIN《XILI（HUILI）》，JINHUI

ZHESHIXIDUOCHUANGE麿CHUXIANLE，TABAYONGZAIGEWUJIYANYUANSHENSHANGDEDASHOUHUI（SUOWEIDASHOUHUIJIUSHIDATOUXIANGDESHOUFA）YUNYONGZAIMEIRENHUASHANGMIAN。

BUJINSHIZAIFUSHIHUIZHONG，ZHEZHONGSHOUFAFANGZAIQUANSHIJIEZHONG，WULUNSHIMUBANHUANSHITONGBANDEBANHUA，DOUSHIGEMINGXINGDEGAOFENG。

XIDUOCHUANGE麿《ZIJIANQIRENHUAZHUANG NANBOWUABEI》，JINHUI

從神佛，到人本身

到成為社會的鏡子

在《洛中洛外圖屏風》出現之前，日本的美術畫更多是宗教畫，或者說是佛教畫，是神佛的世界。到了《洛中洛外圖屏風》的京都，日本美術的關注點慢慢轉向了平民生活。

LUOZHONGLUOWAITUJUAN。

HUANJUHUASHUO，JIUSHICONGSHENFODESHIJIEZOUXIANGXIANSHIRENJIAN，RIBENMEISHUDEGUANZHUDIANCONGTIANSHANGZHUANDAOLEDIXIA。DUIXIANSHISHENGHUODEGUANZHUHEBIAOXIAN，YUELAIYUECHENGWEINEIGESHIDAIDEHUASHIDEZHUTI。

FUSHIHUIZUIDUOJIUSHISANZHANGZHILIANZAIYIQIDEDAXIAO，KUANDUZUIKUANYEBUGUOQIBASHIGONGFEN，SUOYIBUTAINENGBIAOXIANHENDADECHANGMIAN，DINGDUOSHIZAIMOUYIGEZHUTIZHIXIA，BABUTONGDEZUHUA、HUAMIANHUIJUZAIYIQI。

NVRENMENDUIJINGSHUZHUANG、BANTANGZAIDISHANG，XIJIAOYA，JIANZHIJIA，SHANGYING，CHUXING，PANGRUOWUREN。

YEXUPUTONGRENJUEDEFUSHIHUIJIUSHIMEIRENHUA，YINWEITASHIFUSHIHUIZUIDADETICAIZHIYI，DANFUSHIHUIBAOLUOWANXIANG，ZHENGGEJIANGHUSHIDAIDEPINGMINSHENGHUODOUKEYIZAIFUSHIHUIZHONGYOUSUOBIAOXIAN。ERTONGDE、XIANGPUDEDENGDENG，GEFANGMIANDOUYOU，SHENZHIHUANYOUFENGJINGHUAHEHOULAIDEGUIGUAIHUA。

《JIYUANGEZI》，GESHIYINGWEI。

HOULAI，FUSHIHUISHENZHIYOULEZHENBIANSHIBIDESHEHUIGONGNENG。BIRUGECHUANGUOFANG，TAZAIFUSHIHUIDELISHISHANGSHIYIGEHENLINGLEIDEHUASHI。

鈴木春信、鳥居清長、喜多川歌麿等人，都是在正常的浮世繪道路上走，但歌川國芳的性格比較另類，膽子比較大，更開放。他所處的江戶時代已經到了幕府統治的末期，整個社會的思想會比較活躍，幕府的統治能力開始下降，不再像當初施行嚴厲管制。

ZANQIYUANJUANSHUYINGJIUYUANWEICHAOTU，GECHUANGUOFANG。

TONGSHI，LAIZIXIFANGDEWENHUAYINGXIANGYEYUELAIYUEDUO。CONGHELAN，HUOSHISHUOOUZHOUCHUANGUOLAIDEXIFANGRENWENZHUYISIXIANG，SHIDEPINGMINSIXIANGDEDAOMOUZHONGCHENGDUSHANGDEJIEFANG。SHIJISHANGYEKEYIYONGWOMENZHONGGUODELIZILAIKAN，JIUXIANG1980NIANQIANHOUZHONGGUOSHEHUIFASHENGJUDABIANHUAYIYANG，MUFUMOQIYESHIRUCI。

GECHUANGUOFANGKEYISHUOSHIPINGMINWENHUADEDAIYANREN，TATILAOBAIXINGQUFASHENG、BIAODA，YONGBIJIAOWEIWANDESHOUFA，BIAODADUIMUFUTONGZHIDEBUMAN。TABUNENGZHIJIEHUAMUFUJIANGJUN，BIJINGSHISIZUI，SUOYITAYONGYINYU，RANGLAOBAIXINGQUCAI、QUPINWEI，CONGERKANCHUQIZHONGDEAOMIAO。

GECHUANGUOFANG《XIANGMAWANGJIUCHENG》，CHONGMANGUAIDANHEFENGCI。1843-1845NIAN，JINHUI。

FUSHIHUIDEZHENBIANSHIBIYESHICONGZHESHIHOUKAISHI，HOULAIYUYANYULIE。MUFUDAOTAIHOU，MINGZHIWEIXINCHENGGONG，RIBENKAISHIJINRUMINGZHISHIDAI。

ERMINGZHITIANHUANGSHANGTAIHOU，FUSHIHUIZAIMEISHENMERENGUANLE，FENGCIHUAKAISHIDAXINGQIDAO。ZAOQIDEFUSHIHUISHIBUCUNZAIFENGCIHUAZHEYISHUOFADE，FENGCIHUASHISUIZHUSHIDAIDEFAZHANZHUJIANYANBIANCHULAIDE。

印象派畫家

從浮世繪里找到想要的東西

RIBENMINZUDECHUANTONGHUIHUA，SHIJISHANGHEZHONGGUOHUIHUASHIYIYANGDE，TAMEIYOUKONGJIANGAN。

XIANGWOMENDEGUDAISHANSHUIHUA，SUIRANYOUSANDIANTOUSHI，DANSHIHEXIFANGDEKONGJIANTOUSHISHILIANGGEGAINIAN，JIBENSHIPINGMIANDE，MEIYOUZONGSHENDEBIAOXIANSHOUFA——ZHELIANGGEGAINIANZAIMEISHUSHANGSHIFENZHONGYAO，ZHENGSHIHOULAIXIFANGXIANDAIYISHUSUOYAOZHUIQIUDEFANGXIANG。

FANGAOSUOHUIDE《TANGJILAODIE》，BEIJINGZHONGYOUXUDUOFUSHIHUIHUAZUO。

印象派想推翻、逃脫文藝復興以來建立的寫實繪畫傳統，尤其是照相機出現后，他們不滿足于跟在現實后面去畫肉眼能看見的景象。印象派的畫家覺得應該回歸繪畫本身，用線條和色彩來表達。

YINXIANGPAIDEHUAJIAJUEDE，HUABUBIYIWUYISHIBAKANDAODEDONGXIHUAXIALAI，ZHECONGSHIJIUSHIJIKAISHIJIUSHIZHAOXIANGJIDESHIQINGLE，MEIBIYAOZAIRANGHUAJIAQUZUOLE。

TAMENCONGFUSHIHUISHANGZHAODAOTAMENZHUIQIUDEDONGXI：PINGMIANDE、ZHUANGSHIDESECAIHEXIANTIAO，CONGERTUIJINXIFANGDEYISHUBIANGE。XIANDAIDEHUIHUAJIUSHIPINGMIANDE、ZHUANGSHIDE，MEIYOUZAIMOFANGXIANSHIKONGJIAN。

AIDEHUA·MANAI《ZUOLAXIANG》，BUMIANYOUHUA，1868NIAN。MANAIWEIZUOLAMIAOXIEDEXIAOXIANGSHENHOUYOUYIXIAOFUFUSHIHUIBANHUA，YUYOUBIANYISHUJIADEZAONIANZUOPIN《AOLINPIYA》BINGZHI，ZUOCEHUANLILEYISHANRIBENPINGFENG。

DAOJINTIAN，RUGUOWOMENSHUOYIFUHUASHIXIESHIDE，NEITAJIUSHUYUGUDIANSHOUFADEHUIHUA。XIANDAIHUIHUAQIANGDIAOSECAIHESEKUAIDEBIAOXIANSHOUFA，SHITONGGUOYINXIANGPAIDEHUAJIACONGFUSHIHUIDEFENGGEZHONGZHUANBIANGUOLAIDE，TAMENQIFALEHOULAIDEHUASHIHEXIANDAIDEHUIHUA。

ZUOTU：FANGAO《YUZHONGDAQIAO》；YOUTU：GECHUANGUANGZHONG《DAQIAOBAOYU》

FUSHIHUISHIMUKEBANHUA，MUKEBANHUADELAIZIZHONGGUO，RIBENRENBAMUKEBANHUAXUEGUOLAI，ZAIBARIBENMINZUDEGONGJIANGXINGRONGRUJINQU。RIBENMINZUSHIFUYOUGONGJIANGXINGDEMINZU，TAMENHENSHANYUDONGSHOUZHIZUO，DANBUSHANYUSIBIAN、GUINA、ZONGJIECHANSHENGSIXIANG。RENHEDONGXIDAOTAMENSHOUZHONGDOUHUIBEIGAIZHUANG、GAIZAO。

RIBENWENHUAYOUYISIDEDIFANGQIAQIAJIUZAIZHELI，TADALIANGDI、DAGUIMODIXUEXIJIEJIANWAILAIWENMING，TONGSHIYOUBAZHEXIEXUEDAODEDONGXIZHUANHUACHENGZIJIDE。

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如果要用一個詞來形容浮世繪的氣質，那就是平民氣質。這是屬于老百姓自己的東西，而不是掛在墻上裝點空間或是給某些人去欣賞的藝術，它就是最親民、最貼近生活、最真實的。

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XIANGGUAN：

李宗盛心中依然住著那個少年每當聽到自我剖白的音樂，總能想到李宗盛的那首《山丘》。“越過山丘，才發現無人等候。”“還未如愿見到不朽，就把自己先搞丟。”“遺憾我們從未成熟，還沒能曉得，就已經老了。”“盡管心里活著的，還是那個年輕人。”臺灣金曲獎在頒獎詞中說道：“《山丘》寫出每個人心里深藏甚至尚未發現的部分，一舉擊中人心。”本文作者姚謙是一位作詞人，他在介紹兩位少年的“自傳體”歌曲時都同李宗盛的《山丘》進行了對照，這兩位少年一個叫許鈞，另一個就是年輕時的李宗盛。《生命中的精靈》發行時間 1986年1月23日作詞：李宗盛作曲：李宗盛演唱：李宗盛說到李宗盛，所有喜歡華..

日本浮世繪，不僅僅是春宮美人浮世繪是日本的名片之一，不論你是否熟悉日本文化，一定對那幅《神奈川沖浪里》有印象——它出現在裝飾畫中，出現在文創用品里，出現在衣飾上。如今，要欣賞精品的日本浮世繪，只能在畫廊里和展覽中，但浮世繪其實是純粹的“平民藝術”。浮世繪是古代中國繪畫在被日本改造之后的產物，它體現了日本人實用的工匠精神。在大航海時代開啟后，日本被卷入世界體系，浮世繪也傳入歐洲，并且影響了一眾意在擺脫寫實傳統的印象派畫家。我們采訪了上海美術學院教授、《浮世繪》作者潘力老師，讓他帶我們看看，一幅小小的浮世繪里，是怎樣一部精彩的日本文化史。?作者 | Felicia..

故宮里的“寶貝日記”：誰來記錄？有什么用？本 文 約 2090 字閱 讀 需 要 6 min誰為故宮寫下了無數“寶貝日記”1860年，英法聯軍攻入北京，侵略者大搖大擺地來到圓明園和頤和園，肆無忌憚地把寶貝全都搬回了自己家。 經過英法聯軍的洗劫之后，原本氣勢恢宏的皇家園林變得滿目瘡痍。 光頤和園的樂壽堂就有幾千件文物被破壞或丟失，剩下的只有一只四條腿的銅爐和一個盤子。那么，人們是如何知道樂壽堂丟失了多少寶貝的呢？原來，有一本叫作《樂壽堂陳設清冊》的冊子清楚地記錄了樂壽堂原本有哪些擺設和收藏品，人們查看冊子上的資料便知道哪些東西丟了，而這本冊子的作者便是內務府的大臣們。內務府不但要..